The Temple-Builders of Malta:
        4,000-2,500 BCE
Ancient Children of Mother Earth
$19.95 plus postage and handling

The Temple-Builders of Malta

Reviewed by: Theresa C. Dintino

In this time of war and revenge, in these days when we are told repeatedly that war is the only option, that humans have always warred, indeed that it is our natural state of being on this planet, it is so important to be reminded that this is simply not true.  At times like these it is crucial to remind ourselves and inform others of the long stretch of time within which our ancestors thrived peaceably together.  And in that time of harmony what grand designs emerged.  This is but one of the main reasons why the new video, The Temple-Builders of Malta, 4,000-2,500 BCE: Ancient Children of Mother Earth, and the OTS Foundation that produced it are so important.   

This informative and well put together video elegantly brings forth the essential need to expand our knowledge back further than what is commonly considered historical time in order to more fully understand the evolution of our human heritage.  

For anyone unfamiliar with the Megalithic Temples unearthed in the mid 1800’s on the islands of Malta & Gozo located in the Mediterranean just south of Sicily, the film will be an awakening.  For those familiar with the temple period of Malta, the gorgeous footage of the islands and temple remains, the quiet reverence with which the film explores and discusses them will rejuvenate the love and devotion these temples so often evoke.  

The video consists of two parts. The first is a section from the documentary series, Secrets of the Stone Age (produced by Granada Television), featuring anthropologist Richard Rudgley.  In this portion Rudgley emphasizes the importance of the vast expanse of time persistently referred to as ‘pre-history’ by beginning in Egypt, the supposed starting point of civilization, and moving backward in time from there.  His intention is to show that these so called high points of civilization arose not out of thin air or from the influence of people from other planets but rather out of the creativity and genius of generations of humans that came before them.  

He takes us to Malta where humans first arrived from Sicily in 5000 BCE and where have been found the oldest standing buildings in the world.  The temples (some 23 have been discovered this far) were created out of huge limestone slabs—some weighing up to fifty tons each.  The temple builders, he points out, “led the Egyptians in sailing and navigation and they had agriculture too”.  Here thrived a civilization that created and worshipped in these temples for a period of two thousand years.  Rudgley has a very quiet and unassuming presence as he leads the viewer across the island into remains, touching and viewing the gigantic stone slabs with genuine admiration and awe.  And in this guided tour he makes some profound statements; one of which most of us in the Goddess community await with some anticipation.  A great sigh of relief is felt when he says, “The image to which this stone age people prayed was not that of God the Father, but God the Mother; the giver of food, the Earth Herself.”  

Displaying the temples in aerial view to expose their rounded Goddess shapes he says, “It isn’t time that separates us from the temple builders, it’s the way we look at the world…In their world no trace has been found of weapons or warfare.  The key to their mindset is in the architecture.  It’s ruled not by straight lines, but by curves.”  

The second half of the video was filmed in Florida at the Ancient Island Discovery Center run by the OTS Foundation and which houses a reproduction of a temple entryway and courtyard.  Linda C. Eneix, director and founder engages in a lively discussion with school age children about the previous footage as well as a display of replicas of sculptures that have been recovered from the temples.  In this discussion the question of gender is raised and the subject of the absence of warfare is again brought forward.   

Remarkable reconstructions of what the temples probably looked like at the time of their creation and use are shown and Ms. Eneix points out that in the architecture of these temples is found the earliest use of corbelling, forecourts, the horizontal arch and retaining walls.  Later the children experiment with theories of how the megaliths were moved.  The video ends with a recreation of what a temple ritual may have looked like.  

Watching the video I again experienced an overwhelming feeling of loss that I so often encounter when remains of these times are sufficiently brought to life.  I always wondered what that was about.  Travelling in Italy this past summer an answer revealed itself to me.  What is lost?  What is missing?  What exactly is it that I so long for?  You see, it was still there in Italy, in the Italian people, that which seems somehow lost to us here: Soul.  A feeling of soul and soulfulness in living.  In being alive.  Passion.  This same perceived ‘difference’ is summed up in a very poignant segment of the video.  Richard Rudgley takes architect and writer Richard England into the depths of the hypogeum of Hal Saflieni, the underground temple and mass burial chamber chiseled by hand into the living limestone, whose design mirrors perfectly the above ground temples.  In this most holy of spaces he asks:  “If you were commissioned to produce something like this today, how would you go about it?” To which England responds:  “I don’t think we have the spirit to produce this.  I mean we might have the technology but we don’t have the soul”.

____________________________________________________________________

Proceeds of sales of this video go to the OTS foundation, an organization involved in research into and preservation of the temples and the cultural heritage of Malta and Gozo.  OTS also offers educational materials for classrooms and leads Elderhostel tours to the Island.  Contact OTS Foundation, P.O. Box 17166 Sarasota, Florida 34276. USA Fax: 941 918-0265 website: www.maltatemples.com (order by credit card on website or by sending $23.95 for orders within the U.S. to the above listed address)

Theresa C. Dintino has been researching and writing about Neolithic and Bronze Age women centered societies for over ten years.  Her novel, Ode to Minoa, the spiritual odyssey of a snake priestess in Bronze Age Crete was published in 1999.

books
events stories
Articles & Essays
links rituals about Theresa Guest book

home